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Summary of Mark's Background
My involvement in fine arts started when I
was 12 years old...with an older sister gone all the time, a working
mother and father, and a frequently empty house. I started putting
still-life's together and painting alone in our basement. My mother
found a professional artist with attachments to the Rhode Island School
of Design in Providence, RI, (he was doing residencies and teaching
occasional courses). I took privately from Jean Tonoff for 2 years.
I ended up getting into Boston University
where I was a literature major in the college of liberal Arts. I was
painting constantly with personal expression throughout my four years
there. I took Art as my minor, taking as many Art courses, Art related
courses, practical and Art History related as I could squeeze in. Upon
graduation I was focused exclusively on my artwork, (I had begun selling
my work by then).
I was accepted. and enrolled in Print
Making, Drawing classes, and Painting Classes at the University of Rhode
Island. I finished my courses at the University of Rhode Island and
applied to Pratt Institute in Brooklyn, N.Y. in a Masters Program called
Communication Design and I was accepted. I enrolled and finished a
semester, but found commercial art, New York City, and working at
MacMillan Publishing Co. (where I was employed in the Art Department)
was all less than what I desired out of life, school, or my art. I
traveled for about 1 year to the West Coast and back and sold my art
along the way in shows, and privately. I then decided to stay for an
entire winter in the Catskill Mountains, alone, renting a home on the
top of the mountains with a commanding view of the Hudson Valley. I
painted and sold my work locally as my sole income for that winter
season. I continued to paint a lot after returning to Rhode Island,
doing larger paintings, (murals on interior walls. 4-5 of them,
primarily in places of business) and selling in Summer Art Shows, etc.
During this time I was always painting,
developing my own focus and intent with respect to my interpretation of
the world around me. I lean toward realism. The inexhaustible world of
beauty around me has been my model.
For the last 15 years it has been
exclusively Maine's stark, raw materials of its beauty that has
stimulated my passion for developing long lasting works of this genre. I
began a new direction for the development of myself as an artist twelve
years ago, and am currently pursuing it avidly.
I have been developing a collection of
mural sized acrylic paintings of uniquely portrayed scenes of Maine. I
say unique because of their perspective. For instance, my last 2 large
mural sized paintings were painted as though the painter and the viewer
were standing on water experiencing a contemplative scene of a Maine
island: "Thief Island" 3.5'x7' in Muscongus Bay and Monhegan
Islands as
seen from the east/ocean side in this painting called "Northeasterly"
5'x8'. This size and scope feels very natural and exciting to me. I am
always so elated to finally be done with one large piece, but waste no
time at all prepping a new piece of Belgian linen for my next painting:
I usually have already decided on the next composition before I finish
my current work. (My first mural sized painting, "Pebble Beach", a 4'x8'
acrylic, was purchased by MBNA. I recently finished
a large oil mural called "Lowtide", a stone's throw from the
public landing in New Harbor. This mural painting has a nostalgic
feeling now that the fish house in the painting has been completely
renovated. This can be seen in detail on our
murals page.
My goal is to be able to share be able to
share the incredible aspects of God's Nature through my art.
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